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Editorial
The stories behind YMER&MALTA

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17 February 2025
THE STORY BEHIND

Tabouret 100 at the Mobilier National

Two years of research were needed to publish in 2024 the very first piece of furniture printed in 3D in bio-sourced PLA-linen. The French Mobilier National is acquiring it today, convinced by this authentic and

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24 March 2025
THE STORY BEHIND

YMER&MALTA : French Creation Studio

A cornerstone of high-end French creation, yet discreet in its identity, Studio YMER&MALTA operates on an atypical model, orchestrated by its director, Valérie Maltaverne. Text by Marielle Brie de Lagerac From her career in cinema,

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2 March 2023
THE STORY BEHIND

Galet
The Story Behind

Part of the Akari Unfolded collection, a tribute to Isamu Noguchi, made for the Noguchi Museum in New York, Galet lamps from YMER&MALTA studio are the result of unexpected innovation, enriching the world of resin

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16 November 2022
THE STORY BEHIND

Valérie Maltaverne
The story behind

Noticed by museums and cultural institutions, Valérie Maltaverne turned her YMER&MALTA studio into a pioneer of modernisation and renovation of French savoir-faires. Behind these accomplishments, the founder’s personality is revealed as in a shadow puppet

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11 July 2022
THE STORY BEHIND

fallenTree
The story behind

The fruit of a collaboration between Valérie Maltaverne, founder and artistic director of the YMER&MALTA studio, and designer Benjamin Graindorge, the fallenTree bench explores the relationship between humans and nature. The concept of time is

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9 June 2022
THE STORY BEHIND

Belle de Jour et Belle de Nuit
The story behind

The paper used by Isamu Noguchi for his lamps reveals the humble beauty of an ancestral Japanese craft. As a tribute to washi paper, YMER&MALTA created a composite material made of French flax, with its

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YMER&MALTA respectfully and humbly creates objects and furniture, discovers the hidden potential of historical materials and crafts. It is all about learning everything and then forgetting about it, starting from scratch to sculpt modernity. As heritage is nothing but the perfection of time, we graciously consider it, so it can magnify the demands of our everyday life. Our Editorial invites you to experience the slow making of what we want to be the continuity of French heritage.

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