For « The Noguchi Museum »
Over the last nine years, YMER&MALTA founder Valérie Maltaverne has breathed extraordinary life into what the French call savoir faire (“know how”), a shorthand for France’s centuries-old luxury craft industries. The key has been her ability to marry her love and respect for those industries with her creative desire to see them evolve: not merely by trying to keep up with contemporary tastes, but through the incorporation of new technologies and concepts into their core traditions.
Maltaverne’s collaborative methodology comes out of her experience, in a previous career, as a film producer. YMER&MALTA employs multiple designers (emerging and established) and artisans (traditional and cutting edge), with whom Maltaverne works in the role of auteur. Everything that YMER&MALTA produces is an expression of her sensibilities and her determination to synthesize the old and the new by innovating from within the traditional crafts with which she engages.
Isamu Noguchi described his own anti-nostalgic engagement with premodern material cultures as the true development of old traditions. Akari, his most complete and important expansion of the envelope of sculpture and the apotheosis of his efforts to give the past a new future, was, like Maltaverne’s work in savoir faire, on the scale of industry. The principal innovation in Akari was the introduction of an electric bulb to a traditionally candle-powered paper lantern, which produced modern lamps with the timeless life-force of natural light.
For nearly two decades (1956–74), the most sensitive, daring, and sympathetic Akari retailer in the world was Steph Simon Gallery in Paris, best-known for introducing and championing the designs of Jean Prouvé and Charlotte Perriand. Thanks to Simon, Akari have had an especially strong impact on design in France. Maltaverne herself bought Akari there and has lived with and been motivated by them for many years. The present project, YMER&MALTA’s first to reach outside French craft, came out of a 2016 visit to The Noguchi Museum during which Maltaverne decided to apply her model to Akari. The challenge was to see whether she might, treating Akari as the tradition, extend its fundamental alchemies—what Noguchi called the intrinsic qualities of craft whose products cannot be successfully falsified (as the many Akari knockoffs demonstrate)—into the future.
Ultimately, YMER&MALTA’s modest plan to produce six designs with Akari principles developed into a massively complex international collaboration with five designers, and artisans in more than 20 different disciplines. Overcoming many technical hurdles, they pushed linen, metal, resin, Plexiglas, concrete, and paper in new directions and produced 26 light fixtures—which now join the radiant, ever-expanding legacy of Noguchi’s Akari.
The Noguchi Museum
MARQUETRY: SLEEPING BEAUTY
The Sleeping Beauty collection brings a breath of fresh air and creativity to one of the grandest of the French art professions: marquetry. Numerous types of precious wood are cut and assembled in an original way, depicting landscapes, moving shapes, abstract or figurative motifs.
The result is a surprisingly kinetic, contemporary vision of marquetry.
Combinaison is a collection that often works through juxtaposition, at times through confrontation, inversion and even hybridisation, but never through opposition. A series of combinations that speak of moments where methods and typologies, materials and manufacturing processes collide.
Skin Deep pays homage to a traditional and luxurious material. This collection freely explores the possibilities of leather, playing with feelings and contrasts, textures, colours, shapes, in both supple and stiff leathers.
Powerful and sensual leather sculptures fill the space, making it more open and freer.
Morning Mist, a collection developed exclusively with Benjamin Graindorge, essentially proposes new shapes and thoughts on the theme of light, the ultimate emotional material. Through this ode to light, Morning Mist proposes an alteration of reality, or perhaps attempts to reveal the essence of the real.
FEATHER LIGHT MARBLE
Feather Light Marble expresses the inconceivable, creating light objects made from marble.
Marble is ultra-resistant and, as a result, was slimmed down to the extreme. Airy, sensual, light, delicate, it loses nothing of its density. Feather Light Marble proposes stark lines that surprise and move us.
A new poetic reality emanates from the pieces.
Illusions is comprised of four pieces the subtlety of which is not necessarily visible at first glance. Illusions acts like a sensorial and cognitive stimulus in the way it plays with optics, materials and perspectives that propose a new reality to the spectator.
These pieces designed exclusively with Cédric Ragot tells the story of the beginning of YMER& MALTA.
This collection was born from a vision of creative virtuosity connecting with industrial reality. A l’origine has a dreamlike, sensitive dimension that transcends the function of the object. Its purity and originality make it a strong, memorable collection on the border with contemporary art.